TD01 Cambered round brush, Extra bristle. Brass ferrule laquered in matt golden colour. Short wooden handle, blue varnished
This kind of brush, which I call the “retreats brush”, is made with Extra bristles’ extremely hard fibers which allow to make, through light frictions on the paper, colour retreats either in dry or wet on wet techniques. This brush is perfect to recover paper’s whites and to create, for instance, halos, soft shades, and light spots.
TD02 Round brush, Emerald synthetic. Brass ferrule laquered in matt golden colour. Short wooden handle, blue varnished.
The head’s shape and its tip are expressively conceived to obtain an extremely thin trait joined with a good colour retention capacity; the colour is released regularly and uniformly, even when painting on a big surface, without constantly returning to the palette. The Emerald fiber is great for its qualities like high elasticity for the tip return united with a discrete softness.
TD03 Round brush, Emerald synthetic. Brass ferrule laquered in matt golden colour. Short wooden handle, blue varnished.
The head’s shape and its tip are expressively conceived to obtain an extremely thin trait joined with a good colour retention capacity; the colour is released regularly and uniformly, even when painting on a big surface, without constantly returning to the palette. The Emerald fiber is great for its qualities like high elasticity for the tip return united with a discrete softness.
TD04 Filbert brush, thin synthetic. Brass ferrule laquered matt golden colour. Short wooden handle, blue varnished.
This brush is perfect for the “wash” technique. Its shape with slightly rounded borders has been created specifically in collaboration with Tintoretto using Thin synthetic fibre. This tool is ideal for washes made with wet-on-wet technique. The shape, having a rounded section, softens the brush strokes when laying colours down, this is extremely useful to obtain great nuanced backgrounds. This mottler is also perfect to handle colour retreats, for example uncovering the paper’s whites in the sky and therefore creating clouds.